Ivan Crivellaro's wingtip tassel loafers are one of my favorite loafers in the industry, particularly the way that he always uses multiple materials to make
Things To Know About Shoes: Part 2 – The Next 10
Dear Readers, Here is the 2nd part of my 'Things to know about shoes.' If you happen to missed the first 10, here they are. I hope that you enjoy the post
The Shoe’s Beginning – Ivan Crivellaro
It's quite interesting to see how the patina of an Ivan Crivellaro shoe will take form, especially on the ones that have so many pieces of leather to
Killer Boots by Ivan Crivellaro
These have to be one of the most craziest and beautiful boots that I have ever seen. Not only is the style immaculate, but the coloring is out of this
Pitti Uomo: My Updated Views On It
This Pitti Uomo fair probably marked the largest attendance of "Shoe Industry People" due to the event that took place in the middle of the fair, BeShoes,
Shoes, Shoes and More Shoes!!
Gatsby Gone Wild
There is no shortage of bold shoes in the world. Most of the time you don´t see them on people´s feet though. But when the sun is out, people start to get mo
Ivan Crivellaro – Not Just a Patina Artist
I had the real pleasure of finally putting a face to a name while at Pitti Uomo 86 and that name was Ivan Crivellaro. Having been a huge fan of his work and
Shoe Wardrobe Envy
Some guys get a bit of money, buy themselves a nice car, a nice watch, a monstrous TV or some other expensive gadget, but like this guy, I would just buy myself
Patinas On Another Level
There are not too many makers left that I am dying to get a pair from. I can definitely count them on one hand, with less than the 5 fingers. And as you can
Shoes Of The Week – Ivan Crivellaro Tassel Loafers Part 2
Sometimes, I feel like maybe I am tiring you all out with all of the two-toned shoes that I put up on the blog, but then again, I simply can't help but be drawn
Shoes Of The Week – Ivan Crivellaro Loafers
While the quality of the photo (and high flash) might make it difficult to appreciate this loafer, by Ivan Crivellaro, in its entirety, I must say that it has